Battles have revealed details of their second album, the follow-up to 2007's 'Mirrored'. Called "Gloss Drop", features Gary Numan, who sings on 'My Machines' and Blonde Redhead's Kazu Makino helps out on 'Sweetie & Shag'. Boredoms cult leader Yamantaka Eye and Kompakt Records disco dude Matias Aguayo also appears on the album. The new effort was re-recorded after singer and guitarist Tyondai Braxton quit the band last August. As a result the remaining members have called on the services of a series of guest vocalists. Battles Gloss Drop album will be released on June 7, 2011 in North America.

Fool's Gold is proud to present Babylon The Remixes, a collection of incredible remixes for Congorock master track Babylon. The list include Riton, Proxy, Steve Angello, CJ Boland, NT89 and more. Here is NT89 remix thanks to Fool's Gold this young italian is going to be huge as his mate Congorock.

Alec Empire and Nic Endo reunite Atari Teenage Riot without Hanin Elias for the first time after Carl Crack death in 2001, with the help of Nine Inch Nails contributor CX KIDTRONIK. “Blood In My Eyes” features Nic Endo on lead vocal. She speaks out for the multitude of women who have become the victims of human trafficking, their sexuality exploited for financial gain right under the gaze of the ineffectual governments of the self-proclaimed civilised west. Nic, wholly in tune with her trademark Japanese face-paint depicting "Resistance," makes her point in the inimitable Atari way. Human trafficking is an issue most musicians would rather leave untouched. In popular music it's considered cool to present yourself with the accoutrements of modern life like expensive cars, bling, champagne etc. Basically everything that makes people feel envy and adulation towards the artists who try to portray an image of being ‘successful’, while the music industry is close to collapse - but that's another song on to be addressed on ATR's new album. "Blood In My Eyes" is a riveting electronic punk rock diatribe, paying homage to the feminine retributive subtexts espoused by cult films like ‘Kill Bill’ and heavily censored French art-house offering, ‘Baise-Moi.’